The Leica D-Lux 8 is the underdog of compact cameras – and it might be the best one yet – 1v1 Video Chat & LIve Streaming & Influencer Subscription

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It’s a Leica showdown! Can the Leica co-engineered Xiaomi 15 Ultra take on Leica’s own D-Lux 8 compact camera?

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The controls are satisfyingly tactile. It feels like a real camera – one that invites you to take it out, use it, and enjoy it. Leica hasn’t just put a name on this body; it has given it a soul. It’s functional, beautiful and robust enough to inspire confidence every time you pick it up.

Then there’s what’s inside. The lens, for starters, is a bright f/1.7–2.8 Summilux equivalent – fast, sharp and far better than you’d ever expect on something this small. It’s paired to a Micro Four Thirds sensor, which isn’t full-frame, sure, but it delivers images that feel alive.
The colors are classic Leica. The detail is crisp. You get those signature tones, that subtle rendering, and that unmistakable Leica look, without having to lug a Leica Q3 around your neck.

(Image credit: Gareth Bevan / Digital Camera World)
Leica has refined the new D-Lux 8 into something genuinely different. It has tuned the software, rethought the ergonomics and introduced a proper Leica UX. The menus are cleaner, the fonts are Leica’s own and the interface behaves like one of the M or Q bodies.

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It even supports Leica’s Fotos app for streamlined wireless transfers. None of this feels like a rebadge – it feels like Leica took a concept, stripped away the noise and built something that’s both accessible and unmistakably its own.
What makes the D-Lux 8 special, though, is the experience. It’s not about having the biggest sensor or the most megapixels – it’s about having a camera that makes you want to shoot.
Sample images

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(Image credit: Gareth Bevan / Digital Camera World)

There’s something liberating about a camera that doesn’t get in your way but still delivers gallery-worthy results. It’s small, discreet and yet still feels like you’re shooting with something serious. It’s a Leica Q3 in spirit – just trimmed down and more democratic.
We spend so much time talking about full-frame, about resolution, about flagship bodies that cost the price of a second-hand car. But sometimes the best camera is the one that’s just enjoyable to use.
The Leica D-Lux 8 is that camera. It’s Leica, distilled. A tool for photographers who value feel, finesse and the joy of taking photos more than just specs on paper. And in a world full of noise, that makes it a quiet, beautiful standout.
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If you’ve been looking for a camera that blends Leica’s signature style with everyday usability, the D-Lux 8 quietly delivers. It’s compact enough to take anywhere, yet capable enough to capture moments with real character. For those who value feel, simplicity and beautiful results straight out of camera, this might just be the Leica you’ve been waiting for.

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Take a look at the best Leica cameras from across its spectrum of products, and check out the best Micro Four Thirds cameras from brands like OM System / Olympus and Panasonic.

Sebastian Oakley

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For nearly two decades Sebastian’s work has been published internationally. Originally specializing in Equestrianism, his visuals have been used by the leading names in the equestrian industry such as The Fédération Equestre Internationale (FEI), The Jockey Club, Horse & Hound, and many more for various advertising campaigns, books, and pre/post-event highlights.
He is a Fellow of the Royal Society of Arts, holds a Foundation Degree in Equitation Science, and holds a Master of Arts in Publishing. He is a member of Nikon NPS and has been a Nikon user since his film days using a Nikon F5. He saw the digital transition with Nikon’s D series cameras and is still, to this day, the youngest member to be elected into BEWA, the British Equestrian Writers’ Association.
He is familiar with and shows great interest in 35mm, medium, and large-format photography, using products by Leica, Phase One, Hasselblad, Alpa, and Sinar. Sebastian has also used many cinema cameras from Sony, RED, ARRI, and everything in between. He now spends his spare time using his trusted Leica M-E or Leica M2, shooting Street/Documentary photography as he sees it, usually in Black and White.

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