Sendi Jia, a designer running her own studio between Beijing, China, and London, England, says she mainly uses AI generators like DALL-E to make fake photos for background panels or websites when her clients don鈥檛 have access to real ones. That鈥檚 helped clients with limited budgets, but it鈥檚 also exposed just how much of the creative process AI can replace. Recently, a potential client working in a university contacted Jia about creating the logo for a new project. Then, they changed their mind. They had used AI to make it, they said.
Chinese graphic artists are rapidly experiencing the impact of image generators on their day-to-day work: the technology enables copycats and profoundly shifts clients鈥 perception of their work, specifically in terms of how much that work costs and how much time it takes to produce. Freelance artists or designers working in industries with clients that invest in stylized, eye-catching graphics, like advertising, are particularly at risk.
Long before AI image generators became popular, graphic designers at major tech companies and in-house designers for large corporate clients were often instructed by managers to crib aesthetics from competitors or from social media, according to one employee at a major online shopping platform in China, who asked to remain anonymous for fear of retaliation from their employer.
Where a human would need to understand and reverse engineer a distinctive style to recreate it, AI image generators simply create randomized mutations of it. Often, the results will look like obvious copies and include errors, but other graphic designers can then edit them into a final product.
鈥淚 think it鈥檇 be easier to replace me if I didn鈥檛 embrace [AI],鈥 the shopping platform employee says. Early on, as tools like Stable Diffusion and Midjourney became more popular, their colleagues who spoke English well were selected to study AI image generators to increase in-house expertise on how to write successful prompts and identify what types of tasks AI was useful for. Ultimately, it was useful for copying styles from popular artists that, in the past, would take more time to study.
鈥淚 think it forces both designers and clients to rethink the value of designers,鈥 Jia says. 鈥淚s it just about producing a design? Or is it about consultation, creativity, strategy, direction, and aesthetic?鈥
At ad agencies, for example, graphic designers work on comprehensive strategies for campaigns, aiming to create iconic, recognizable visual identities across a variety of formats. As such, AI image generators are less useful because they don鈥檛 produce anything particularly unique, according to Erbing, a graphic designer in Beijing who has worked with several ad agencies and asked to be called by his nickname.
鈥淓ach project faces different problems, and designers are there to solve specific problems, not to create identical visuals,鈥 he says. 鈥淪ometimes, the process of thinking through a project takes longer than actually creating the visuals.鈥
When faced with more complex tasks, AI鈥檚 utility dwindles. Image generators are capable of creating many images, but that does not replace the work of understanding what an ad campaign needs to establish a visual identity and communicate what it is the client is selling and why people should buy it. Then, translating those concepts to the AI productively is its own challenge. Among graphic designers in China, there鈥檚 a joke that using an AI image generator is like gacha, referring to addictive games where users spend money to receive randomized items and find out what they won.
鈥淵ou might get a good result, but there will inevitably be dozens or even hundreds of poor ones,鈥 Erbing says. 鈥淧ersonally, I see [AI image generators] as more of a toy than a tool.鈥
Across the board, though, artists and designers say that AI hype has negatively impacted clients鈥 view of their work鈥檚 value. Now, clients expect a graphic designer to produce work on a shorter timeframe and for less money, which also has its own averaging impact, lowering the ceiling for what designers can deliver. As clients lower budgets and squish timelines, the quality of the designers鈥 output decreases.
鈥淭here is now a significant misperception about the workload of designers,鈥 Erbing says. 鈥淪ome clients think that since AI must have improved efficiency, they can halve their budget.鈥
But this perception runs contrary to what designers spend the majority of their time doing, which is not necessarily just making any image, Erbing says.
Erbing, like other designers, hopes AI image generators can become more useful to graphic designers in the future, and notes that people鈥檚 perception of their usefulness outpaces their actual application. In the meanwhile, it is twisting the clients鈥 view of the usefulness of the artists themselves.